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"But you didn't see her, did ye?" Cobin asked eagerly.,

Lucy had often viewed this scene: her pause now was dictated by a trifling feeling of curiosity. Against the wharves on the left-hand side and over against the stump-ended projection of pier was moored her father's ship the Minorca, of which she had just now been assured Sir William Lawrence's son was to be offered the command. This vessel lay with two or three others, a brig or two and a schooner, at the wharves, and with her own and the drying sails of the others, the tall spars, the yards across, the complicated lines of the rigging, provided a bold and even ample figure of shipping to the eye. But in addition to these there lay in the harbour a number of fishing craft, and this side the extremity of the wharves within musket shot of where Lucy stood was moored the Saucy brig-of-war of about one hundred and eighty tons armed with thirty-two pounder carronades. She was one of a number of the like sort of brig which were to be found in that year (1805) on the coasts of Sussex, Suffolk, and Norfolk. These brigs were usually hauled into creeks or laid up in snug corners where the Lieutenant, as Sir William had pointed out, had his cabbage garden and pig-sty. They were designed as a provision against[Pg 27] the invasion of the French, and were quite worthless, as they were never ready, and always so anchored or so secured as to demand as much time in getting under weigh as would take a French army of invasion to march from Dover to Ashford.,

"I see it," Maurice replied in guarded tones. "Bill, that light's comin' this way, sure as shootin'.",

He was a figure striking in its way as he made these bows, with his long, snow-white hair, his heavy white eyebrows, his long curling nose, the purely congenital satiric leer that characterised the formation of his thin lips; and his faded dress, which was a very good representation of his mind, aided the impression produced by his face.

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Mr Lawrence's face lighted up, but the expression was curious; it was composite; it seemed to be lacking in the elementary quality[Pg 58] of exultation or rejoicing which naturally would have been sought for or expected.,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

"I thought maybe you meant 'em fer a couple of trees, Bill.",

"Now," said he in a soft voice full of the emotion which his daughter's preservation and restoration had filled him with—"now that my dear child, by the mercy and goodness of Almighty God, has been returned to me I am for heading straight for Old Harbour Town, for she has had enough of the sea—more than enough, and I am for having her at home, safe again. She has gone through much, she looks ill, she needs the rest and nursing she can only get at home."